https://www.chateau-combourg.com/chateaubriand daily 0.75 2024-03-20 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556205734285-JWMI2PTLF7AC2GPAWAD0/1200px-Anne-Louis_Girodet-Trioson_006.jpg Chateaubriand - François-René de Chateaubriand 1768 - 1848 Portrait de Chateaubriand par Anne-Louis Girodet De Roussy-Trioson – 1810 Un homme médite sur les ruines de Rome (Musée de Saint-Malo) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090668258-ANFTC2XWXQ94IJOSS0B5/TOMBEAU.jpeg Chateaubriand Grand Bé - Tombeau de Chateaubriand - Saint Malo https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556205734285-JWMI2PTLF7AC2GPAWAD0/1200px-Anne-Louis_Girodet-Trioson_006.jpg Chateaubriand - François-René de Chateaubriand 1768 - 1848 “Un homme médite sur les ruines de Rome” Portrait de Chateaubriand par Anne-Louis Girodet De Roussy-Trioson,1810 (Musée de Saint-Malo) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556917646965-6KA7QF26YF4LZ10YZRJ7/CHATEAUBRAIND_JEUNE.jpg Chateaubriand - Pastel vers 1787 François René de Chateaubriand, pastel marouflé attribué à Charles Joseph de La Celle de Châteaubourg, vers 1787 – Musée de Saint Malo https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557087336054-4JBK82ZHZN16ZNBA3JHI/CHATEAUBRIAND_AVEC_LUCILE.jpg Chateaubriand - Soirée à Combourg Lucile et moi nous échangions quelques mots à voix basse quand il était à l’autre bout de la salle ; nous nous taisions quand il se rapprochait de nous. Il nous disait en passant : « De quoi parliez-vous ? » Saisis de terreur, nous ne répondions rien ; il continuait sa marche. Le reste de la soirée, l’oreille n’était plus frappée que du bruit mesuré de ses pas, des soupirs de ma mère et du murmure du vent… » https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557088451912-2TL7ZVBRS4NJXP9L9U4D/CHUTES_NIAGARA.jpg Chateaubriand - Chutes du Niagara https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557088856654-SU1N13PFQMWGVIKFVSQ6/GEORGES_WASHINGTON.jpeg Chateaubriand - Georges Washington https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557087038238-KFRMRXYUGVXSGJ61LMKF/WESTMINSTER.jpg Chateaubriand - Londres Abbaye de Westminster & St.Margaret's Church Londres - Abbaye de Westminster & St.Margaret's Church - peinture de John Bowles 1750 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557088680838-TCORT2EGKEQM0LH2H1HK/LONDRES_PORT.jpg Chateaubriand - Port de Londres https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556918720159-JVKDHW5PV6M8CKWSMXFA/ATTALA_FUNERAILLES.jpg Chateaubriand - Funérailles d’Atala  Atala au tombeau », dit aussi « Funérailles d’Atala », par Anne-Louis Girodet De Roussy-Trioson – 1808 – Musée du Louvre https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556919192427-BWFG98KMHR27SD15GJX4/LUCILE.jpg Chateaubriand - Croix de Lucile Croix de Lucile, parc du Château de Combourg https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557089285734-38TSJQ5F01IF3D10A32E/LUCILE_TABLEAU.jpeg Chateaubriand - Lucile de Chateaubriand https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090244318-QQBYED2GFGY78KRBBZPV/VOYAGE_EN_ORIENT.jpeg Chateaubriand - Saint Sépulcre https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090215822-UM9604YV8WGP6EZB7XZQ/TERRE_SAINTE.jpeg Chateaubriand - Terre Sainte https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557086449771-7L4MN311FOAVO0XSHOM3/PERE_DE_FRANCE.jpg Chateaubriand - Chateaubriand pair de France Portrait de François-René, vicomte de Chateaubriand, par Pierre-Louis Delaval, (vers 1828). Collection la Vallée aux Loups https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557092147162-90W6V1ER1B52HF26BINP/Capture+d%E2%80%99%C3%A9cran+2019-05-05+%C3%A0+23.35.14.png Chateaubriand https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090808104-3ZEVZ09RGPIKY0RHPJH5/CHTEAUBRAIND_CD.jpeg Chateaubriand https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557091332292-93PCECPC9Q2BL1AO16FX/ARISTOCRATIE.png Chateaubriand https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090668258-ANFTC2XWXQ94IJOSS0B5/TOMBEAU.jpeg Chateaubriand Grand Bé - Tombeau de Chateaubriand - Saint Malo https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707407473603-DE1XSQ0BAA0T67R1FGN9/all_bandelogos_chateau.jpg Chateaubriand https://www.chateau-combourg.com/prixlitteraire daily 0.75 2025-10-06 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/a2971729-1bc8-445d-b58e-84523a77c345/Logo+Prix+Combourg.jpg Prix Littéraire https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556316185884-VLX3DGHFZRXSNIK2C5EN/TABLE_PLUME.jpeg Prix Littéraire https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556316106479-Q8N7AFFQBR3JULJC245P/CHATEAUBRIAND.jpeg Prix Littéraire https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556315400791-HKFXN618DDD6YUMZC57U/LIVRES.jpeg Prix Littéraire https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556316295203-25A9UORBQPIIC3HTNDPE/BIBLIOTHEQUE.jpg Prix Littéraire https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/9b93b106-d4e3-4237-8954-5814f5d2878a/affiche+prix+combourg.jpg https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/a2971729-1bc8-445d-b58e-84523a77c345/Logo+Prix+Combourg.jpg 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the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707411325939-51AA1EPVNC6R7JW62O33/all_bandelogos_chateau.jpg Évènements https://www.chateau-combourg.com/preservation daily 0.75 2026-03-26 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707411207429-D4ZEJLAPHDXBRKRRZALN/all_bandelogos_chateau.jpg Préservation P https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1650728253218-LXI11AC6FIYE5OBZ6BSP/Capture+d%E2%80%99%C3%A9cran+2022-04-23+%C3%A0+17.20.41.png Préservation P https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1650728264585-HFEI8PTQ991W1YH20ZNE/MIN_Culture_RVB.jpg Préservation P https://www.chateau-combourg.com/le-voyageur-cafe daily 0.75 2025-04-14 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/ad500d17-7f73-4b69-a6f8-50a48c26909e/Screen+Shot+2023-05-07+at+7.20.49+PM.png Le Voyageur Café - Make it stand 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Malouin https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/d2f9f895-f4f0-4c19-b8cc-47e58a4fa3e8/Thomas+Godin+Article+de+Ouest-France+2023.jpg Expositions - Make it stand out Article de Ouest-France https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/0ca63b9f-dc09-4edf-a76a-7e86690d1b1d/Screen+Shot+2023-06-01+at+12.05.56+PM.png Expositions - Make it stand out Leaflet (cliquez sur l’image) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/b3f7dbc9-1a03-4be1-b2f9-221299ec0e9c/CHCOMBOURG-poster-web.jpg Expositions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/dc31a78a-381d-4f1b-aed4-221b41902fdc/1886+%E2%80%93+Me%CC%81die%CC%81valisme.JPG Expositions - 1886 – Médiévalisme En 1786, à la mort de René Auguste de Chateaubriand, le château entame un état d’abandon que la Révolution va largement aggraver. Combourg devient une ruine romantique jusqu’à ce que Geoffroy de Châteaubriand entreprenne une restauration dans le style Troubadour entre 1866 et 1878. La fascination pour le Moyen Âge constitue une part indissociable du romantisme du XIXe siècle qui va l’exploiter de manière fantasmée ou rêvée en architecture mais aussi en peinture et en littérature. Imaginons alors la famille de Châteaubriand en 1886, Geoffroy, Françoise Marie-Antoinette et leur fille Sybille, accompagnés d’amis, réunis pour une séance de lecture, un soir d’hiver. Que lisent-ils ? Probablement une des œuvres citées dans cette exposition. Site : Château de Combourg Figurants : Passion Costumes https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/e70714f7-20c7-41c6-abe6-dc36e37f7d9c/Les+fanto%CC%82mes+de+Combourg.jpg Expositions - Les fantômes de Combourg François-René de Châteaubriand achève de réaliser ses Mémoires d’outre-tombe en 1841, il y relate notamment sa jeunesse passée au château de Combourg, entre Saint-Malo et Rennes en compagnie de sa sœur Lucile. Le château, une forteresse médiévale austère et impressionnante, est racheté par son père. L’ambiance, propice à la mélancolie et l’imagination, sera décisive pour sa carrière d’écrivain romantique. L'imaginaire enfantin de Lucile et François-René leur fait percevoir le château de Combourg comme un lieu inquiétant, lieu de tous les fantasmes et de toutes les craintes. « Les gens étaient persuadés qu’un certain comte de Combourg, à jambe de bois, mort depuis trois siècles, apparaissait à certaines époques, et qu’on l’avait rencontré dans le grand escalier de la tourelle ; sa jambe de bois se promenait aussi quelquefois seule avec un chat noir ». Les deux fantômes hanteraient l’escalier de la tour. La jambe de bois appartiendrait à un ancien seigneur du château qui l'aurait perdue lors de la bataille de Malpaquet en 1709 sous Louis XIV. Site : chambre de Chateaubriand – Château de Combourg Figurants : Sébastien Le Peutrec, Aelig Landais, Mewenn Charles et Loki le chat. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/98e0cab2-793e-4c1c-be87-3639bbd19307/Excalibur.jpg Expositions - Excalibur Excalibur, l’épée magique du roi Arthur dans les textes de la légende arthurienne, fait son apparition dans des textes gallois du XIe siècle. A la fin du XIIe siècle ce mythe arthurien intègre la Matière de Bretagne avec sa part de féérie. Robert de Boron y raconte pour la première fois l’épée fichée dans le rocher tandis que Malory au XVe siècle évoque la remise de l’épée magique par la dame du Lac. Excalibur a la réputation d'être incassable et de trancher toute matière. Son fourreau protège son porteur de toute blessure. Le roi Arthur, détenant les deux artéfacts, était donc invincible sur les champs de bataille. Le décor de la chapelle en ruine se prêtait à merveille pour cette vision romantique, largement inspirée des paysages de Caspar David Friedrich. Site : ND du Burgo - Grand-Champ https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/db62c9fe-5dc5-4e52-9dd3-c4a66ce2c08e/Morgane.jpg Expositions - Morgane La légende arthurienne provoque un extraordinaire engouement littéraire dans la noblesse et au sein des cours d’Europe. On nomme « Matière de Bretagne » l’ensemble de ces textes. Le terme a été créé par le poète Jean Bodel vers 1200. Pour lui, toute œuvre littéraire devait se composer d’une des « trois matières essentielles » : la matière de France, celle de Rome et celle de Bretagne. La fée Morgane fait partie des personnages popularisés. Sa figure varie au long des ouvrages. Prêtresse ou reine d’Avalon, puis demi-sœur d’Arthur, élève de Merlin, haïe par la reine Guenièvre, femme trompée, elle est tout cela à la fois, mais toutes les versions des romans font d’elle celle qui veille sur le sommeil du roi qui un jour reviendra. La vie de Merlin et le Lancelot-Graal a inspiré de nombreuses autres versions romanesques. Site : Manoir du Rustéphan – Pont-Aven (29) Modèles : Lucie Le Guennec, Nathalie Berthau, Cédric Chavin. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/ee431ca6-1dc2-41d9-9f06-581feee47046/90X60_le+combat+des+trente+compressed.jpg Expositions - 27 mars 1351 - Le Combat des Trente En 1351, dans le pays de Ploërmel, le capitaine anglais Bamborough, commet des exactions sur les civils, bafouant les codes de la chevalerie. Le commandant de Josselin, le maréchal Jean de Beaumanoir, décide d’aller réclamer aux anglais un affrontement en combat loyal. La rencontre est décidée pour le samedi 27 mars 1351, et le nombre des combattants de chaque parti fixé à trente. Dix chevaliers et vingt écuyers, tous Bretons, se joignent à Beaumanoir tandis que la troupe de Bamborough se compose de vingt Anglais, six Allemands et quatre Bretons. Le rendez-vous a été donné près d'un vieux chêne, entre Ploërmel et Josselin, dans une lande dite la lande de Mi-voie. Lourdement armés, ils luttent au corps à corps, sans pitié. Le combat s’éternise. Bamborough est mortellement blessé d’un coup de lance puis a la tête tranchée. Peu importe, le combat reprend. La chaleur est insupportable et Beaumanoir réclame à boire ! « Bois ton sang, Beaumanoir, et la journée est à nous ! » lui répond Geoffroy du Bois. Galvanisés les Bretons parviennent à pénétrer dans les rangs anglais et remportent la victoire. L’évènement fait grand bruit dans toute l’Europe. Théodore Hersart de la Villemarqué en collectera un chant pour son Barzaz Breizh. Modèles et costumes : Storm Squad, Emmanuel Bertrand, et les Tard-Venus. Site : Landes de Lanvaux – Grandchamp (56) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/de5814ce-6012-4fd0-b5e0-790c1cb7e594/The+Lady+of+Shalott.jpg Expositions - The Lady of Shalott La mort d'Elaine d'Astolatt est un passage du Lancelot-Graal issu de la matière de Bretagne composé au début du XIIIe siècle. Cette source majeure de la légende arthurienne dont l'auteur reste inconnu a fortement inspiré l'œuvre de Malory au XVe siècle et est largement diffusé oralement mais aussi sous la forme de manuscrits dont un des plus connus et des plus anciens daté de 1220 est celui conservé à Rennes. Dans la version du début du XIIIe siècle, la Demoiselle d'Astolat meurt d'un amour non partagé pour Lancelot et suit une rivière dans un bateau jusqu'à Camelot. Une autre version du même siècle est écrite dans la nouvelle italienne La Donna di Scallota qui a servi d'inspiration pour The Lady of Shalott de Tennyson écrit en 1833. D'après la légende, une malédiction interdisait à la Dame de Shalott de regarder directement la réalité du monde extérieur ; elle était condamnée à voir le monde à travers un miroir. Son désespoir allait grandissant lorsqu'elle observait des couples amoureux enlacés au loin. Un jour, elle vit le reflet de Lancelot passer dans le miroir. Durant la tempête automnale qui se produisit alors, la Dame embarqua dans un bateau. Elle chantait sa complainte en naviguant vers Camelot et vers une mort certaine. Son corps gelé fut retrouvé par Lancelot. Site – Domaine du château de Suscinio (56) Figurants : Cédric Chavin et Soizic Lahonda https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/e13768c4-982e-49c6-acf8-702c92d9721e/La+belle+dame+sans+Merci.jpg Expositions - La Belle dame sans Merci « La Belle Dame sans Merci » est un poème emblématique de John Keats, l’un des plus grands poètes romantiques anglais du XIXe siècle. Publié en 1819, ce poème narratif raconte l’histoire d’un chevalier qui rencontre une mystérieuse femme surnaturelle dans un paysage désolé. La dame ensorcelle le chevalier avec sa beauté et sa séduction, mais finit par le laisser seul et désespéré. Ce poème est souvent interprété comme une allégorie de la nature éphémère de l’amour et de la cruauté de la vie. Le poème est rempli d’images sombres et de descriptions évocatrices qui créent une atmosphère de mystère et de danger. Keats utilise également des motifs récurrents tels que la nature sauvage et la mort pour renforcer le sentiment de tragédie qui entoure le chevalier et sa relation avec la belle dame. Figurants : Pierre-Denis Becart et Géraldine Gasselin Site : Dolmen de la Loge au Loup – Trédion(56) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/030e1e07-bbfd-4102-8005-205e04e704aa/Tristan+et+Iseult+cachent+leur+passion+amoureuse.jpg Expositions - Tristan et Iseult cachent leur passion amoureuse Il est difficile de fixer dans le temps l’action du récit de Tristan et Iseult mais comme pour la légende arthurienne, le contexte est celui des peuples celtiques de l’antiquité Tardive. Quant au récit il est attesté à l’époque carolingienne dans les gwerz bretonnes et s’est nourri progressivement d’apports successifs. Traduit par les trouvères dans la langue d’oïl du XIIe siècle, de nombreux écrivains vont s’en emparer et produire leur version, toutes parvenues jusqu’à nous partiellement et compilées au début du XXème siècle en une version complète. Tristan, fils d’un roi de Bretagne armoricaine, devenu orphelin est recueilli par son oncle le roi Marc’h, qu’il sert avec fidélité. Devenu chevalier, il libère la Cornouaille d’un tribut imposé par l’Irlande. En gage de paix, Iseult, la fille du roi d’Irlande est promise au roi Marc’h et Tristan est chargé de l’amener en Cornouaille. La reine d’Irlande a confié à la servante d’Iseut, Brangien, un philtre d’amour destiné au futur couple royal mais le filtre laissé sans surveillance est bu par Tristan et Iseut. L’effet est immédiat et le couple va devoir se cacher pour vivre sa passion avec la complicité de Brangien. Modèles : Deborah Germain et Vincent Germain, Lucy Fery et Steven Philippe. Site : La Roche-percée – Fouesnant https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/f7ff3744-a02c-43fd-9c40-b61283d59739/90X60_Le_combat_des_Trente_5.79MB.jpg Expositions - Mélusine ou la fée serpent L’histoire est immortalisée en prose par Jean d’Arras avec Mélusine ou la noble histoire des Lusignan, qu’il offre à Jean de Berry en 1393. La famille de Lusignan nommera d’ailleurs du nom de la fée une des tours de son château de Fougères. Après avoir tué accidentellement son oncle et avoir fui à travers la forêt, Raymondin, neveu du comte de Poitiers, rencontre trois dames se baignant dans une fontaine. La plus belle des trois lui révèle qu'elle connaît son nom ainsi que l'accusation dont il fait l'objet. La belle dame lui promet un destin d’exception s’il l’épouse à condition de ne jamais chercher à la voir le samedi. Raymondin devient un grand seigneur bâtisseur, ayant avec Mélusine une nombreuse descendance. Un samedi, recevant son frère, ce dernier fait germer en lui le doute quant à la fidélité de sa femme. Pris de colère et arrivé face aux appartements de son épouse, Raymondin, à l’aide de son épée, perce la porte d’un trou et observe Mélusine au bain, elle a l’apparence d’un être mi-femme mi-serpent. Découverte, Mélusine se voit obligée de reprendre son apparence de dragon et elle s'envole par une fenêtre en poussant des cris déchirants. Figurante : Mélusine de Fougères Site : Tour Mélusine - Château de Fougères https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/44abd00c-794c-43bb-b2da-2e5a77313ba5/Dahut+d%E2%80%99Ys.jpg Expositions - Dahut d’Ys “J’ai vu la blanche fille de la mer, je l’ai même entendue chanter : ses chants étaient plaintifs comme les flots.” Paru en 1845, le Barzaz Breizh de Théodore Hersart de la Villemarqué est un monument de la littérature bretonne, cet ensemble de poèmes collectés va connaître un énorme succès jusqu’aux milieux littéraires parisiens et est encore une source d’inspirations pour les artistes d’aujourd’hui. L’un des poèmes évoque la légende de la Ville d’Ys. Lors d’un festin organisé par le roi Gradlon en son palais, un étranger séduit sa fille prénommée Dahut. Le roi pris de sommeil s’en va se coucher. C’est alors que Dahut saisit une clé autour du cou du roi endormi en gage de son amour envers l’étranger. Cette clé ouvre les gigantesques portes retenant les flots de l’océan entourant la cité légendaire. La submersion est totale, Gradlon parvient à s’échapper en chevauchant Morvac’h et Dahut est condamnée à hanter pour toujours la baie de Douarnenez. Figurante : Laura Auger Site : Côte Sauvage de Quiberon https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/256b0cbb-7d1c-44d9-bcf6-872fc72bc7c6/90X60_Les_Lavandieres_compressed.jpg Expositions - Les Lavandières de la nuit Le thème des lavandières de la nuit est issu du recueil de nouvelles d'Emile Souvestre, Le Foyer breton, paru en 1844. Ces légendes ont marqué des artistes peintres comme Yan’ Dargent qui présenta en 1861 au salon un premier tableau dont Théophile Gautier fit l’éloge. L’histoire évoque le personnage de Postic, paysan breton préférant s’encanailler dans les tavernes le jour des morts plutôt que d’honorer ses défunts. Sur le chemin du retour, il croise le long d’un obscur chemin ces spectres condamnés à errer la nuit près des points d’eau. La rencontre est fatale pour Postic dont le poids des péchés devient trop écrasant. Le tableau qui est aujourd’hui présenté au musée des Beaux-arts de Quimper, n’en est que la version miniature. La mise en scène présentée ici en est largement inspirée. Modèles : Eliane Morantin, Bérénice Thivet, Ketty Klein, Jeanne Bernier et Ninnog Herry, Denis Herry. Site : Allée du Château de Kergroadez, Brélès (29) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/fb4023bf-f180-41e0-837f-f30a8326b8b7/La+vieille+femme+a%CC%80+la+Men+Gurun.jpg Expositions - La vieille femme à la Men Gurun Les haches en pierre polie du néolithique étaient appelées "Men Gurun" (pierres de tonnerre). Elles étaient considérées comme pierres tombant du ciel avec le tonnerre. Pendant des siècles et jusque dans les années 1950, elles étaient recherchées pour préserver les maisons de la foudre, et placées sous la pierre du foyer. Quelquefois elles étaient cachées dans le sol en terre battue de la maison. L’archéologue Zacharie Le Rouzic évoque en 1909 cette tradition emprunte de magie : à Saint-Philibert dans le Morbihan en Bretagne, une vieille femme s'en servait pour faire revenir le beurre dans le pis des vaches qui l'avaient perdu... elle était connue ! Elle vendait 50 centimes le litre d'eau qu'elle avait fait bouillir après avoir déposé dans le fond de la cocotte une hache polie. Cette eau enrichissait un lait trop maigre ou chassait le mauvais œil qui stérilisait les champs ! Figurante : Odette Guelzec https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/498fff4e-5324-4d88-98a5-c5e2914092d2/affiche+Recto+HD.jpg Expositions - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/eeb33941-319f-4b25-a0d5-55096b0cdbd9/Dartmoor.jpg Expositions - Dartmoor « Je suis attaché à mes arbres ; je leur ai adressé des élégies, des sonnets, des odes. Il n’y a pas un seul d’entre eux que je n’aie soigné de mes propres mains, que je n’aie délivré du ver attaché à sa racine, de la chenille collée à sa feuille; je les connais tous par leurs noms, comme mes enfants : c’est ma famille, je n’en ai pas d’autre, j’espère mourir auprès d’elle. » Mémoires d'outre-tombe, tome 1 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/f11a5969-a8c0-47d6-943a-db2eecfc076c/Perspe%CC%81hone.jpg Expositions - Perséphone « Le soir, cette fleur commence à s’entr’ouvrir ; elle s’épanouit pendant la nuit; l’aurore la trouve dans tout son éclat ; vers la moitié du matin elle se fane; elle tombe à midi: elle ne vit que quelques heures, mais elle passe ces heures sous un ciel serein. Qu’importe alors la brièveté de sa vie ? » Description de quelques sites dans les Florides, Voyage en Amérique https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/4000b67b-64a6-4cac-9906-701606078e06/Grecian+Reverie.jpg Expositions - Grecian Reverie « Je ne connais rien qui soit plus à la gloire des Grecs que ces paroles de Cicéron : « Souvenez- vous, Quintus, que vous commandez à des Grecs qui ont civilisé tous les peuples, en leur enseignant la douceur et l'humanité, et à qui Rome doit les lumières qu'elle possède. Lorsqu'on songe à ce que Rome était au temps de Pompée et de César, à ce que Cicéron était lio- même, on trouve dans ce peu de mots un magnifique éloge. » Itinéraire de Paris à Jerusalem, chapitre 1 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/0673aaa2-c65d-4aeb-acf4-e76515adef66/Sur+les+pas+de+la+Belle+Dame.jpg Expositions - Sur les Pas de la Belle Dame «..., d'autres fois je m'enfonçais dans les bois, je suivais un chemin abandonné, un ruisseau sans nom, un petit oiseau qui voletait avec sa compagne de buisson en buisson. Le rouge-gorge qui chantait le soir sur un toit de chaume m'attendrissait; la lumière lointaine qui brillait dans une ferme écartée me faisait faire mille projets de retraite et de bonheur; je supposais que ce que je cherchais habitait vers les distantes collines, dans le hameau dont j'apercevais le clocher champêtre. J'écoutais tous les bruits qui sortent des lieux infréquentés et prêtais l'oreille à chaque arbre ; je voulais chanter ces plaisirs, mais les paroles expiraient sur mes lèvres. » Mémoires d'outre-tombe, tome 3, chapitre 10 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/d17888b9-7ad6-4dbe-9bbf-bd8fb6a07727/Galatea.jpg Expositions - Galatea « Les plantes renaîtront demain ; le bruit et la poussière se sont dissipés à l'instant : voilà ce nouveau débris couché pour des siècles auprès de ceux qui paraissaient l'attendre. Les empires se plongent de la sorte dans l'éternité, où ils gisent silencieux. Les hommes ne ressemblent pas mal aussi à ces ruines qui viennent tour à tour joncher la terre : la seule différence qu'il y ait entre eux, comme entre ces ruines, c'est que les uns se précipitent devant quelques spectateurs, et que les autres tombent sans témoins. » Tivoli et la Villa Adriana, Voyage en Italie https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/4c9860bc-fdae-4a5f-a072-3dae4f269272/L%27automne.jpg Expositions - L'Automne « Un caractère moral s'attache aux scènes de l'automne: ces feuilles qui tombent comme nos ans, ces fleurs qui se fanent comme nos heures, ces nuages qui fuient comme nos illusions, cette lumière qui s'affaiblit comme notre intelligence, ce soleil qui se refroidit comme nos amours, ces fleuves qui se glacent comme notre vie, ont des rapports secrets avec nos destinées. » “Mes Joies de l'Automne”, Mémoires d'outre-tombe, tome 3, chapitre 10 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/23e0a875-9749-431b-a2ad-0ee4d31aa066/Lethe%CC%81.jpg Expositions - Le Léthé « Je me suis rencontré entre les deux siècles, comme au confluent de deux fleuves; j’ai plongé dans leurs eaux troublées, m’éloignant à regret du vieux rivage où j’étais né, et nageant avec espérance vers la rive inconnue où vont aborder les générations nouvelles. » “Revue des Deux Mondes”, Mémoires d'outre-tombe, tome 1 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/bbbf3b64-4b31-419f-b61c-97e46d592b00/The+Vila.jpg Expositions - The Vila (réalisée à Saint-Malo) « Mais ce qu’il faut admirer en Bretagne, c’est la lune se levant sur la terre et se couchant sur la mer. . Établie par Dieu gouvernante de l’abîme, la lune a ses nuages, ses vapeurs, ses rayons, ses ombres portées comme le soleil ; mais comme lui, elle ne se retire pas solitaire ; un cortège d’étoiles l’accompagne. À mesure que sur mon rivage natal elle descend au bout du ciel, elle accroît son silence qu’elle communique à la mer ; bientôt elle tombe à l’horizon, l’intersecte, ne montre plus que la moitié de son front qui s’assoupit, s’incline et disparaît dans la molle intumescence des vagues. » Mémoires d'outre-tombe, tome 1, chapitre 6 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/cd7b9bd9-dc7b-43fd-90a5-612fc1764710/L%27Aurore.jpg Expositions - L'Aurore « Quelle douce clarté vient éclairer l’Orient! Est-ce la jeune Aurore qui entrouvre au monde ses beaux yeux chargés des langueurs du sommeil? Déesse charmante, hâte-toi! Quitte la couche nuptiale, prends la robe de pourpre; qu’une ceinture moelleuse la retienne dans ses nœuds; que nulle chaussure ne presse tes pieds délicats; qu’aucun ornement ne profane tes belles mains faites pour entrouvrir les portes du jour. Mais tu te lèves déjà sur la colline ombreuse. Tes cheveux d’or tombent en boucles humides sur ton col de rose. De ta bouche s’exhale un souffle pur et parfumé. Tendre déité, toute la nature sourit à ta présence; toi seule verses des larmes, et les fleurs naissent. » “L'Aurore” poème de Lucile, Mémoires d'outre-tombe, tome 3, chapitre 6 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487918656-RUCM55BAIJ0ZPVYD2Z2E/002cdd_c391dcf2e3d84f448816c34a8510fd5a%7Emv2.jpeg Expositions - La Porte de La Lune https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487924604-OSA996L60BRLLQYV58DC/002cdd_46a2f9cf9cfe4e8a92b273d804508bbb%7Emv2.jpeg Expositions - Dor al Loar https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487928660-Z7R67PKRVFKQTVSEXDKF/002cdd_f1f683d9fc9b494c84017d342ce1eba7%7Emv2.jpeg Expositions - Moon Portal https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487953107-R2VUWURRG8SYEHA821WA/002cdd_4034b0cf91f94253b414791b72e875a1%7Emv2.jpeg Expositions - Le château des profondeurs 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https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/d2f9f895-f4f0-4c19-b8cc-47e58a4fa3e8/Thomas+Godin+Article+de+Ouest-France+2023.jpg Expositions - Make it stand out (Article de Ouest-France) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/0ca63b9f-dc09-4edf-a76a-7e86690d1b1d/Screen+Shot+2023-06-01+at+12.05.56+PM.png Expositions - Make it stand out Leaflet (cliquez sur l’image) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/a2929fcd-db38-4327-b879-d06d29d86964/Capture+d%E2%80%99%C3%A9cran+2025-03-22+%C3%A0+14.57.49.png Expositions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.chateau-combourg.com/chateauparc daily 0.75 2025-04-13 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556204613672-JI3MKPFSSWULR6WJAC7M/CHATEAU_MYSTERE.jpg Gallery 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devise « Mon sang teint la bannière de France » https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556311403400-5YZ84G6LD966UX67FTGC/BUREAU.jpg Gallery Dessin du château au XIXe siècle https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556312108748-KD6ROSALMQRWLL3CWD8N/ROSE.jpg Gallery Rose Chateaubriand « Prix de Rome 2007 » https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707407210641-QTV8NX5Q2RSPBGK0083O/all_bandelogos_chateau.jpg Gallery https://www.chateau-combourg.com/home daily 1.0 2026-03-31 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/7c99f43d-33c9-4e6b-9006-1ab4591c891d/Screenshot+2024-03-18+at+9.23.35%E2%80%AFPM.png https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1553723002615-EJM6YKPZW370416PV128/combourg-bureau_1092.JPG https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1553723355975-HHXSN8MVXLMQDT0NQ2PS/combourg-escalier8568.jpg 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https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/a4634c2f-dcff-45b8-9009-c831ae40f93f/chateau+sud+credit+_PierreHolley.JPG Castle & Park https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556309870571-ZX1TQV6H4R91B7A9EJJY/RIVALON.jpg Castle & Park Rivallon, first lord of Combourg https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556310853301-JW1FK1J70X6G3GRNNMXK/TOITS_AERIEN.jpg Castle & Park https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556310364690-KZ6QTXS0XNQ7NZ7FWIOA/BLASON_2.jpg Castle & Park Coat of armes of Chateaubriand and its moto « My blood stained the banner of France » https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556311403400-5YZ84G6LD966UX67FTGC/BUREAU.jpg Castle & Park Drawing of the castle XIXe century https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556312108748-KD6ROSALMQRWLL3CWD8N/ROSE.jpg Castle & Park Rose Chateaubriand « Prix of Rome 2007 » https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707412725949-9S6WWCDE0LHQCUPVIG43/all_bandelogos_chateau.jpg Castle & Park https://www.chateau-combourg.com/en/chateaubriand daily 0.75 2024-03-20 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556205734285-JWMI2PTLF7AC2GPAWAD0/1200px-Anne-Louis_Girodet-Trioson_006.jpg Chateaubriand - François-René de Chateaubriand 1768 - 1848 “A man meditates on the ruins of Rome” Portrait of Chateaubriand by Anne-Louis Girodet De Roussy-Trioson, 1810 (Saint-Malo Museum) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556917646965-6KA7QF26YF4LZ10YZRJ7/CHATEAUBRAIND_JEUNE.jpg Chateaubriand - Pastel vers 1787 (copie) François René de Chateaubriand, pastel marouflé attribué à Charles Joseph de La Celle de Châteaubourg, vers 1787 – Musée de Saint Malo 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Il nous disait en passant : « De quoi parliez-vous ? » Saisis de terreur, nous ne répondions rien ; il continuait sa marche. Le reste de la soirée, l’oreille n’était plus frappée que du bruit mesuré de ses pas, des soupirs de ma mère et du murmure du vent… » https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557088451912-2TL7ZVBRS4NJXP9L9U4D/CHUTES_NIAGARA.jpg Chateaubriand - Niagara falls https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557088856654-SU1N13PFQMWGVIKFVSQ6/GEORGES_WASHINGTON.jpeg Chateaubriand - Georges Washington https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557087038238-KFRMRXYUGVXSGJ61LMKF/WESTMINSTER.jpg Chateaubriand - Londres Abbaye de Westminster & St.Margaret's Church Londres - Abbaye de Westminster & St.Margaret's Church - peinture de John Bowles 1750 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557088680838-TCORT2EGKEQM0LH2H1HK/LONDRES_PORT.jpg Chateaubriand - London harbour https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556918720159-JVKDHW5PV6M8CKWSMXFA/ATTALA_FUNERAILLES.jpg Chateaubriand - Atala funeral  Atala au tombeau », dit aussi « Funérailles d’Atala », par Anne-Louis Girodet De Roussy-Trioson – 1808 – Musée du Louvre https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556919192427-BWFG98KMHR27SD15GJX4/LUCILE.jpg Chateaubriand - Lucile 's cross Croix de Lucile, parc du Château de Combourg https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557089285734-38TSJQ5F01IF3D10A32E/LUCILE_TABLEAU.jpeg Chateaubriand - Lucile de Chateaubriand https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090244318-QQBYED2GFGY78KRBBZPV/VOYAGE_EN_ORIENT.jpeg Chateaubriand - Saint Sépulcre https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090215822-UM9604YV8WGP6EZB7XZQ/TERRE_SAINTE.jpeg Chateaubriand - Holy Land https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1557090668258-ANFTC2XWXQ94IJOSS0B5/TOMBEAU.jpeg Chateaubriand Grand Bé - Grave of Chateaubriand - Saint Malo https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707412784613-7ZBBA7IAL5901DY8TTJM/all_bandelogos_chateau.jpg Chateaubriand https://www.chateau-combourg.com/en/legendes daily 0.75 2025-04-13 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556206861576-OTODXL6729L6SP47M5NK/CHAT_NOIR.jpg Legends - The wooden peg leg and the black cat https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556144564311-MLAN8EDYFTGXZE96XGYP/LANCELOT.jpg Legends - Lancelot https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556144732620-BNW0EOE9BMMN5GE24Z9S/LAC_TRANQUILLE.jpg Legends - Lake Tranquil https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556368255122-2LCY9UJOM0T6KLCUVR5Y/BORCELIANDRE.jpg Legends - Brocéliande 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story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/0d67f5cc-620f-4b2f-84f8-a02aee12834e/JEP+2023+Affiche.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/ab81d86e-16a5-4b7d-90b4-e456646e152e/Screen+Shot+2023-06-01+at+10.43.14+AM.png Events - Make it stand out Communiqué de Presse (cliquez sur l'image) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/16f595bd-bb77-486b-9f4f-5ce4cee2ce1c/Screen+Shot+2023-06-01+at+10.46.17+AM.png Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/3efbb091-947f-4505-bf9a-9afdbe58b70d/Affiche+Flore%CC%81ales+2023.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/ccae3cb7-34ed-4bf3-a3df-19214c5ec30f/Affiche+Combourg+Pa%CC%82ques+pour+site.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707412960155-QEUT9375K8XK00R4DFVZ/all_bandelogos_chateau.jpg Events https://www.chateau-combourg.com/en/prixlitteraire daily 0.75 2025-10-06 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556316185884-VLX3DGHFZRXSNIK2C5EN/TABLE_PLUME.jpeg Literary Prize https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556316106479-Q8N7AFFQBR3JULJC245P/CHATEAUBRIAND.jpeg Literary Prize https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556315400791-HKFXN618DDD6YUMZC57U/LIVRES.jpeg Literary Prize 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Literary Prize https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707413029418-RS2A4WAH7VZMWHRN2WAL/all_bandelogos_chateau.jpg Literary Prize https://www.chateau-combourg.com/en/le-voyageur-cafe daily 0.75 2025-04-14 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1231ac47-2ce4-495f-81e1-e9260d52d86f/Me%CC%81a+Photography+x+Combourg+2024+17.jpg The Voyageur Café - Make it stand out Photo by Méa Photography https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/ad500d17-7f73-4b69-a6f8-50a48c26909e/Screen+Shot+2023-05-07+at+7.20.49+PM.png The Voyageur Café - Make it stand out Design by Alexandra Dedouvre https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/bb85f6ad-d4cb-48d4-97d4-9c7083c6e32f/Capture+d%E2%80%99%C3%A9cran+2025-03-22+%C3%A0+14.57.49.png The Voyageur Café - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.chateau-combourg.com/en/votrevisite daily 0.75 2026-02-01 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556320189650-QJBZX4EYZPDJGAJUM096/VOTRE_VISITE.jpg Your Visit - Reopening April 2025 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707413127553-8WBSIWECS4ZZOR5F9KHT/all_bandelogos_chateau.jpg Your Visit https://www.chateau-combourg.com/en/privatisation daily 0.75 2025-04-13 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1553700117436-2RANVMRHEVA8H8B68Z5R/combourg-sam9552.jpg Privatisation https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1553700194724-YYVG2UAVTWD2COJ9CRXL/combourg-sam9566.jpg Privatisation https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556923964249-HTIX5LT5QAOKDOMAKYZ5/BLASON.jpg Privatisation https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707413180306-FR0LGJGPHNQ3O0R20EVE/all_bandelogos_chateau.jpg Privatisation https://www.chateau-combourg.com/en/contact daily 0.75 2024-02-09 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707413243245-WWIT8FXRD6KTD6PTD70O/all_bandelogos_chateau.jpg Contact https://www.chateau-combourg.com/galerie daily 0.75 2025-03-21 https://www.chateau-combourg.com/en/gallery daily 0.75 2025-03-21 https://www.chateau-combourg.com/en/exhibitions daily 0.75 2025-03-22 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/c7e0ef03-3266-4fe5-ad02-41a1851afd4a/CHCOMBOURG-poster-web.jpg Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/96fce7cc-d7fe-4a93-9a98-c15080a62a19/1886+%E2%80%93+Me%CC%81die%CC%81valisme.JPG Exhibitions - 1886 - Medievalism In 1786, at the death of René Auguste de Chateaubriand, the château fell into a state of abandon, which the Revolution would greatly worsen. Combourg became a Romantic ruin until Geoffroy de Chateaubriand undertook a restoration in the Troubadour style between 1866 and 1878. Fascination for the Middle Ages constituted an inseparable part of 19th century Romanticism, which would be exploited in a fantastical or dream-like form in architecture, but also in painting and literature. Let’s imagine the Chateaubriand family in 1886, Geoffroy, Françoise Marie-Antoinette and their daughter Sybille, with their friends, getting together for a reading session, one winter evening. What would they read? Probably one of the works cited in this exhibition. Setting: Château de Combourg Re-enactors: Passion Costumes https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/3cba052e-9a7e-4d53-804a-31045e2ced22/Les+fanto%CC%82mes+de+Combourg.jpg Exhibitions - The Ghosts of Combourg François-René de Chateaubriand completed his Memoires d’outre-tombe in 1841, notably recounting his youth passed at the Château de Combourg between Saint-Malo and Rennes, together with his sister Lucile. The château, an austere and imposing medieval castle, was bought by his father. The ambience, tending towards melancholy and the imagination, would be decisive for his career as a Romantic writer. The childhood imaginary world of Lucile and François-René made them see the château of Combourg as a disturbing place, one of all kinds of fantasies and fears. “People were convinced that a certain count of Combourg, with a wooden leg, dead for three hundred years, made an appearance at certain times and had been encountered on the grand staircase of the tower; his wooden leg also walked there alone sometimes or with a black cat.” The two phantoms haunted the tower’s turning stair. The wooden leg belonged to a former lord of the château who lost his limb at the Battle of Malpaquet in 1709 under Louis XIV. Setting: bedrooom of Chateaubriand – Château de Combourg Re-enactors: Sébastien Le Peutrec, Aelig Landais, Mewenn Charles et Loki le chat. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/87d6b664-2aa9-4e17-9015-edd28a407f5b/Excalibur.jpg Exhibitions - Excalibur Excalibur, the magic sword of King Arthur in the texts of the Arthurian legends, first appeared in Welsh texts of the 11th century. At the end of the 12th century this Arthurian myth incorporated the Matter of Britain with its magical side. Robert de Boron told for the first time of the sword stuck in the stone, while Malory in the 15th century evoked the return of the magic sword by the Lady of the Lake. Excalibur had the reputation of being unbreakable and able to cut through any material, whilst its sheath protected the bearer from any wound. King Arthur possessed both items and was therefore invincible on the field of battle. The setting of the ruined chapel lends itself perfectly to this Romantic vision, mainly inspired by the landscapes of Caspar David Friedrich. Setting: ND du Burgo - Grand-Champ https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/15450264-2cf5-453e-a315-b5e6ee7c91e8/Morgane.jpg Exhibitions - Morgane The Arthurian legend provoked an extraordinary literary enthusiasm among the nobility and in the heart of the courts of Europe. The collection of these texts is called the Matter of Britain. The term was created in about 1200 by the poet Jean Bodel. For him, all works of literature must be derived from one of the ‘three essential matters’: those of France, Rome and Britain. The fairy Morgan is one of the characters made popular here, with an image varying from work to work. Priestess or queen of Avalon, then half-sister of Arthur, pupil of Merlin, hated by Queen Genevieve, woman deceived, she is all these things in turn, but the various versions of tales agree that she was the one who watched over the sleep of the king who would one day return. The Life of Merlin and the Lancelot-Graal inspired numerous other fictional versions. Setting: Manoir du Rustéphan – Pont-Aven (29) Models: Lucie Le Guennec, Nathalie Berthau, Cédric Chavin https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/098c508a-410a-4d0c-8ff5-d041c8ed0f62/90X60_le+combat+des+trente+compressed.jpg Exhibitions - 27 March 1351 - Combat of the Thirty In 1351, in the region of Ploërmel, the English captain Bamborough made excessive demands on the populace, flouting the chivalric code. The commander of Josselin, marshal Jean de Beaumanoir, decided to demand a confrontation in fair fight from the English. The encounter was set for Saturday March 27 1351, and the number of combatants on each side fixed at thirty. Ten knights and twenty squires, all Breton, joined Beaumanoir, whereas the troop of Bamborough was made up of twenty English, six Germans and four Bretons. The meeting place was set near an old oak tree between Ploërmel and Josselin, on a plain called Mi-voie. Heavily armed, they struggled in hand-to-hand combat, without mercy. The fight went on and on. Bamborough was mortally wounded by the blow of a lance and then a slash to the head. The battle went on regardless. The heat was unbearable and when Beaumanoir called for water, Geoffroy du Bois replied “Drink your blood, Beaumanoir, and the day is ours!” Roused by this, the Bretons began to penetrate the ranks of their opponents and won victory. The event caused a sensation all over Europe. Théodore Hersart de la Villemarqué included a song about it in his Barzaz Breizh. Models and costumes: Storm Squad, Emmanuel Bertrand, et les Tard-Venus. Setting: Landes de Lanvaux – Grandchamp (56) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/0eca3f07-ed00-42a7-9c01-3da6cc3c07fa/The+Lady+of+Shalott.jpg Exhibitions - The Lady of Shalott The death of Elaine d’Astolatt is a passage in the Lancelot-Graal derived from the Matter of Britain composed at the beginning of the 13th century. This major source of the Arthurian legend, whose author remains unknown, strongly inspired the work of Malory in the 15th century and was widely diffused orally but also in the form of manuscripts. One of the best known and most ancient of these, dating to 1220, is preserved at Rennes. In the version of the early 13th century, the Lady of Astolat dies of unrequited love for Lancelot and floats down river in a boat as far as Camelot. Another version of the same century was written in the Italian story La Donna di Scallota, which served as an inspiration for Tennyson’s The Lady of Shalott written in 1833. According to the legend, a curse forbids the Lady of Shalott from looking directly at the reality of the outside world: she is condemned to see it only through a mirror. Her despair grows when she sees loving couples embracing from afar. One day, she sees the reflection of Lancelot passing in the mirror. During the autumnal storm which ensues, the Lady embarks in a boat. She sings her lament as she sails towards Camelot and a certain death. Her icy corpse is found by Lancelot. Setting: Domaine du château de Suscinio (56) Re-enactors: Cédric Chavin et Soizic Lahonda https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/dc817b74-ad8a-42b3-aefd-35844a565a75/La+belle+dame+sans+Merci.jpg Exhibitions - La Belle dame sans Merci « La Belle dame sans Merci » is an emblematic poem by John Keats, one of the greatest English Romantic poets of the 19th century. Published in 1819, this narrative poem tells the story of a knight who meets a mysterious supernatural woman in a desolate landscape. She bewitches the knight with her seductive beauty, but ends up leaving him alone and in despair. The poem is often interpreted as an allegory of the ephemeral nature of love and the cruelty of life. The poem is full of sombre images and evocative descriptions which create an atmosphere of mystery and danger. Keats also uses recurrent motifs such as wild nature and death to reinforce the feeling of tragedy which surrounds the knight and his relations with the beautiful woman. Re-enactors: Pierre-Denis Becart et Géraldine Gasselin Setting: Dolmen de la Loge au Loup – Trédion (56) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/094cbabb-2b59-469b-a9fe-74bf7c326c3a/Tristan+et+Iseult+cachent+leur+passion+amoureuse.jpg Exhibitions - Tristan and Iseult conceal their passionate love It is difficult to pinpoint in time when the action in the Tristan and Iseult story took place, but as with the Arthurian legend, the context is that of Celtic peoples in Late Antiquity. An account of it is attested in the Carolingian epoch in Breton gwerz (laments) and grew continually with successive additions. Translated by troubadours in the langue d’oïl from the 12th century, many authors took up the theme and produced their own versions, each surviving in part up to the present day, and brought together at the beginning of the 20th century in a complete version. Tristan, son of the king of Armorican Britain (Brittany), was orphaned and welcomed by his uncle, King Marc’h, whom he served faithfully. Once a knight, he freed Cornwall from a tribute imposed by Ireland. As a pledge of peace, Iseult, daughter of the king of Ireland, was promised to King Marc’h, and Tristan was given the task of bringing her to Cornwall. The queen of Ireland gave Brangien, Iseult’s maid, a love potion destined for the future royal couple, but when this was left unsupervised, it was drunk by Tristan and Iseult. The effect was immediate and the couple had to go into hiding to indulge their passion, with the help of Brangien. Models: Deborah Germain and Vincent Germain, Lucy Fery and Steven Philippe Setting: La Roche-percée, Fouesnant https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/b6517b61-80cb-4606-892a-15e7892a0534/90X60_Le_combat_des_Trente_5.79MB.jpg Exhibitions - Mélusine, or the fairy serpent This story was immortalised in prose by Jean d’Arras with Mélusine or the noble history of the Lusignan family, which he presented to Jean de Berry in 1393. The family would use the name of the fairy for one of the towers of their château at Fougères. Having accidentally killed his uncle and fled through the forest, Raymondin, nephew of the count of Potiers, came across three women bathing in a sacred spring. The most beautiful of the three revealed to him that she knew his name and also the crime of which he was accused. The lovely lady offered him an exceptional destiny if he married her, on condition that he never tried to see her on a Saturday. Raymondin became a great lord and builder, and had many children with Mélusine. One Saturday, when he had welcomed his brother, the latter sowed the seed of doubt about his wife’s fidelity. Overtaken by anger, Raymondin reached the apartments of his wife, and used his sword to make a hole in the door and see Mélusine in her bath, where she appeared half-woman, half serpent. Thus discovered, Mélusine was forced to revert to her appearance as a winged serpent and she flew out of the window, emitting harrowing cries. Re-enactor: Mélusine de Fougères Setting : Tour Mélusine, Château de Fougères https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/df521d0a-2e04-454e-bb1b-60914236cdad/Dahut+d%E2%80%99Ys.jpg Exhibitions - Dahut of Ys “I saw the white lady of the sea, I even heard her sing: those songs were plaintive like the waves.” Published in 1845, the Barzaz Breizh by Théodore Hersart de la Viilemarqué is a landmark of Breton literature. This ensemble of collected poems would enjoy an enormous success, reaching as far as Parisian literary circles, and is still a source of inspiration for artists today. One of the poems evokes the legend of the city of Ys. During a festival organised by King Gradlon in his palace, a stranger seduces his daughter Dahut. The king, overcome by weariness, goes off to bed. When he’s asleep Dahut takes the key from around the king’s neck as a pledge of her love for the stranger. This key opens the huge gates which keep out the waves of the ocean surrounding the legendary city. The submersion is total: Gradlon manages to escape on his horse Morvac’h and Dahut is condemned to forever haunt the Bay of Douarnenez. Re-enactor : Laura Auger Setting: Côte Sauvage de Quiberon https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/8bda175d-292f-451f-8b2d-e566024b428e/90X60_Les_Lavandieres_compressed.jpg Exhibitions - Nocturnal Washerwomen The theme of the nocturnal washerwomen derives from a collection of stories by Emile Souvestre, Le Foyer Breton, published in 1844. These legends influenced artists like Yann d’Argent, who presented the first painting, which Théophile Gautier praised highly, at an exhibition in 1861. The story evokes the character of Postic, a Breton peasant disporting himself in the taverns on the day of the dead rather than honouring the deceased. On the way home along a dark track, he came across these ghosts condemned to wander at night in the vicinity of water sources. The encounter was fatal for Postic, whose weight of sin proved too crushing. The painting today on display in the Musée des Beaux-Arts in Quimper is only a miniature version. The dramatization presented here is largely inspired by it. Models: Eliane Morantin, Bérénice Thivet, Ketty Klein, Jeanne Bernier et Ninnog Herry, Denis Herry. Setting: Path at the Château de Kergroadez, Brélès (29) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/56f22a44-87ea-4d55-989f-aeb3d12bde56/La+vieille+femme+a%CC%80+la+Men+Gurun.jpg Exhibitions - The Old Woman of the Men Gurun Neolithic polished stone axes were called Men Gurun (thunder stones). They were thought to have fallen from the sky with the thunder. For hundreds of years, right up to the 1950s, they were sought after to protect houses from lightning, and placed under the hearthstone. Sometimes they were concealed in the earth floor of a house. In 1909, the archaeologist Zacharie Le Rouzic evoked this tradition, with its magical connotation: in Saint-Philibert in Morbihan in Brittany, an old woman used them to bring back butter-milk in the teats of cows who were not producing it… she was well-known! For fifty centimes, she sold the litre of water which she had brought to the boil after placing a polished axe in the bottom of the pan. This water enriched a thin milk or drove away the evil eye which made the fields infertile! Re-enactor: Odette Guelzec https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/498fff4e-5324-4d88-98a5-c5e2914092d2/affiche+Recto+HD.jpg Exhibitions - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/eeb33941-319f-4b25-a0d5-55096b0cdbd9/Dartmoor.jpg Exhibitions - Dartmoor “I am attached to my trees; I have addressed them with elegies, sonnets, and odes. There is not one among them that I have not cared for with my own hands, that I have not freed from the worm attached to its root, from the caterpillar stuck to its leaf; I know them all by their names like my children: they are my family, I have no other, I hope to die beside them.” Memoirs from Beyond the Grave, volume 1 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/f11a5969-a8c0-47d6-943a-db2eecfc076c/Perspe%CC%81hone.jpg Exhibitions - Perséphone “In the evening, this flower begins to open; it blooms during the night; dawn finds it in all its glory; by mid-morning it fades; it falls at noon: it lives only a few hours, but it spends these hours under a serene sky. What does the brevity of its life matter then?” Description of certain sites in Florida, Travels in America https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/4000b67b-64a6-4cac-9906-701606078e06/Grecian+Reverie.jpg Exhibitions - Greek Reverie “I know of nothing more to the glory of the Greeks than these words by Cicero: 'Remember, Quintus, that you command Greeks who civilized all peoples by teaching them gentleness and humanity, and to whom Rome owes the enlightenment it possesses.' When one reflects on what Rome was in the time of Pompey and Caesar, on what Cicero himself was, one finds in these few words a magnificent eulogy.” Itinerary from Paris to Jerusalem, chapter 1: Greece https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/0673aaa2-c65d-4aeb-acf4-e76515adef66/Sur+les+pas+de+la+Belle+Dame.jpg Exhibitions - In the Footsteps of the Beautiful Lady “...at other times I plunged into the woods, I followed an abandoned path, a nameless stream, a little bird that fluttered with its mate from bush to bush. The robin that sang in the evening on a thatched roof moved me; the distant light shining in an isolated farm filled me with a thousand plans for retreat and happiness; I supposed that what I was looking for lived towards the distant hills, in the hamlet whose country church spire I could see. I listened to all the sounds that emanate from unfrequented places and lent an ear to every tree; I wanted to sing of these pleasures, but the words died on my lips.” Memoirs from Beyond the Grave, volume 3, chapter 10 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/d17888b9-7ad6-4dbe-9bbf-bd8fb6a07727/Galatea.jpg Exhibitions - Galatea “The plants will be reborn tomorrow; the noise and the dust have dissipated at this moment: here lies this new debris for centuries next to those that seemed to await it. Empires plunge in this way into eternity, where they lie in silence. Men are not unlike these ruins that come in turn to litter the earth: the only difference between them, as between these ruins, is that some fall before a few spectators, and others fall without witnesses.” Tivoli and the Villa Adriana, Travels in Italie https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/4c9860bc-fdae-4a5f-a072-3dae4f269272/L%27automne.jpg Exhibitions - Autumn “A moral character attaches to the scenes of autumn: these leaves that fall like our years, these flowers that fade like our hours, these clouds that flee like our illusions, this light that dims like our intelligence, this sun that cools like our loves, these rivers that freeze like our life, have secret relations with our destinies.” “My Joys of Autumn”, Memoirs from Beyond the Grave, volume 3, chapter 10 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/23e0a875-9749-431b-a2ad-0ee4d31aa066/Lethe%CC%81.jpg Exhibitions - Oblivion “I found myself between two centuries like at the confluence of two rivers; I plunged into their troubled waters, moving away with regret from the old shore where I was born and swimming with hope towards the unknown bank where new generations will land.” “Review of the Two Worlds”, Memoirs from Beyond the Grave, volume 1 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/bbbf3b64-4b31-419f-b61c-97e46d592b00/The+Vila.jpg Exhibitions - The Villa (shot in Saint-Malo) “But what must be admired in Brittany is the moon rising over the land and setting over the sea. Established by God as the governor of the abyss, the moon has its clouds, its vapors, its rays, its shadows, like the sun; but like him, she does not retire alone; a procession of stars accompanies her. As she descends to the end of the sky on my native shore, she increases her silence, which she communicates to the sea; soon she falls to the horizon, intersects it, showing only half of her face which dozes off, tilts, and disappears into the soft swelling of the waves.” Memoirs from Beyond the Grave, volume 1, chapter 6 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/cd7b9bd9-dc7b-43fd-90a5-612fc1764710/L%27Aurore.jpg Exhibitions - Aurora “What gentle light dawns in the East! Is it the young Dawn opening her beautiful eyes laden with the languors of sleep to the world? Charming goddess, hasten! Leave the bridal bed, take up the purple robe; let a soft belt hold it in its folds; let no shoe press upon your delicate feet; let no ornament profane your beautiful hands made to open the gates of day. But you are already rising on the shadowy hill. Your golden hair falls in moist curls on your rose-colored neck. From your mouth exhales a pure and fragrant breath. Tender deity, all nature smiles at your presence; you alone shed tears, and flowers are born.” “Aurora” poem by Lucile, Memoirs from Beyond the Grave, volume 3, chapter 6 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487918656-RUCM55BAIJ0ZPVYD2Z2E/002cdd_c391dcf2e3d84f448816c34a8510fd5a%7Emv2.jpeg Exhibitions - La Porte de La Lune (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487924604-OSA996L60BRLLQYV58DC/002cdd_46a2f9cf9cfe4e8a92b273d804508bbb%7Emv2.jpeg Exhibitions - Dor al Loar (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487928660-Z7R67PKRVFKQTVSEXDKF/002cdd_f1f683d9fc9b494c84017d342ce1eba7%7Emv2.jpeg Exhibitions - Moon Portal (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487953107-R2VUWURRG8SYEHA821WA/002cdd_4034b0cf91f94253b414791b72e875a1%7Emv2.jpeg Exhibitions - Le château des profondeurs (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487957792-LR54LH7Q0R8D7BZ51BOZ/002cdd_410806b21b944b0bb9292a2d31f7b3af%7Emv2.jpeg Exhibitions - La nuit dorée (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487963157-NTN1NH603OVLOUFGKEZW/002cdd_b0b08bb322be43bd9f5bda6c77aa7e80%7Emv2.jpeg Exhibitions - La grève dorée (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487965602-F0FOH8O5RY99EHCYMPOM/002cdd_d0a4407977524c3f94b151cf3b484610%7Emv2.jpeg Exhibitions - Fleur d'estran (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1683487967938-EWK78ZABURKNR3LSR5IE/002cdd_050e5a356b2240fa9156212e7eb3095b%7Emv2.jpeg Exhibitions - Making of Moon Gate (copie) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/41782294-6604-4c25-9c07-48b5610bd57d/Thomas+Godin+Article+du+Pays+Malouin+2023.JPG Exhibitions - Make it stand out (Article du Pays Malouin) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/0ca63b9f-dc09-4edf-a76a-7e86690d1b1d/Screen+Shot+2023-06-01+at+12.05.56+PM.png Exhibitions - Make it stand out Leaflet (cliquez sur l’image) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/17a4e23f-2c79-48af-8ed4-8f802d6ed239/Capture+d%E2%80%99%C3%A9cran+2025-03-22+%C3%A0+14.57.49.png Exhibitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.chateau-combourg.com/donation daily 0.75 2026-03-25 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/5aa58448-e05f-46ce-ad3d-d68af970f5aa/Capture+d%E2%80%99%C3%A9cran+2026-03-20+%C3%A0+14.34.48.png https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/5aa58448-e05f-46ce-ad3d-d68af970f5aa/Capture+d%E2%80%99%C3%A9cran+2026-03-20+%C3%A0+14.34.48.png https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/5aa58448-e05f-46ce-ad3d-d68af970f5aa/Capture+d%E2%80%99%C3%A9cran+2026-03-20+%C3%A0+14.34.48.png https://images.squarespace-cdn.com/content/v1/63187f342b1f891348394c33/1768301816128-40HUG5GZUYNSR580QKUY/imgg-demo-hNKPmLKj.png https://images.squarespace-cdn.com/content/v1/63187f342b1f891348394c33/1768301816141-0BECIGDBAMHPT931VBBO/imgg-demo-Zr0XVdxX.png https://images.squarespace-cdn.com/content/v1/63187f342b1f891348394c33/1726230866671-2HTAX9HHG9U190XTWSX8/Aro+Ha_0387.jpg https://www.chateau-combourg.com/en/privatisation-1 daily 0.75 2026-01-02 https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1553700117436-2RANVMRHEVA8H8B68Z5R/combourg-sam9552.jpg Privatisation (Copy) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1553700194724-YYVG2UAVTWD2COJ9CRXL/combourg-sam9566.jpg Privatisation (Copy) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1556923964249-HTIX5LT5QAOKDOMAKYZ5/BLASON.jpg Privatisation (Copy) https://images.squarespace-cdn.com/content/v1/5c8977b8809d8e30f206418f/1707413180306-FR0LGJGPHNQ3O0R20EVE/all_bandelogos_chateau.jpg Privatisation (Copy) https://www.chateau-combourg.com/nous-soutenir daily 0.75 2026-03-27